Author Archives: Nathan Plante

Microtones

Microtones are available throughout the trumpet’s range. In this post I will focus on the production of quarter tones, as these have become firmly established in contemporary music, but other microtones can be produced using the techniques I describe below. … Continue reading

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Pedal Tones

My first encounter with pedal tones was in college, as warm-up exercises. I was taught that, in order to properly play the high register, I also had to learn to play super low. Though the connection between the two is … Continue reading

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Mutes (Part Three) – More Mutes!

In this third and final (for now!) part in my mini-series on mutes I will introduce several more types of mutes. There are certainly a few more than I list here, but these are the most common ones after the … Continue reading

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Mutes (Part Two) – The Standard Three

Welcome to part two of my mini-series on mutes! Today I‘ll explain the three most common mutes in a trumpeter’s arsenal. Many players can make it far into their career without needing anything more than these three mutes. They are … Continue reading

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Mutes (Part One) – General Guidelines and Notation

Brass players are often made fun of for their obsession with – and vast collections of – mouthpieces. While those jokes are most certainly justified, when it comes to hoarding, no one talks about the real problem – mutes. Not … Continue reading

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Split-Tones

My first venture into split-tones was over ten years ago for a performance of the piece “Humans in Motion” by Canadian composer Annesley Black. If I remember correctly, there was one single split-tone in my part – one of the … Continue reading

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Flutter Tongue, Doodle Tongue and Growl

The tongue is a trumpeter’s secret weapon, with which they can coax some fascinating effects from their instrument. In addition to using the tongue for articulation, it can be used to create some interesting sound colors. Here are three of … Continue reading

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Air Sounds

As a younger player I thought air sounds were silly and didn’t take them very seriously. I’ve worked so hard to create a beautiful trumpet sound, and now all I’m supposed to do is blow some air through the instrument!? … Continue reading

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Endurance

The embouchure required for trumpet playing requires a set of delicate muscles in the face, lips and tongue. Trumpet players have to train these muscles daily to stay at the top of their game. However, composers should bear in mind … Continue reading

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(High) Range

Back in my high school marching band (Go Scotties!), me and my fellow trumpeters were only interested in three things: playing fast, playing loud and playing high. Playing high was never my forte (sorry), but that didn’t stop me from … Continue reading

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